HILLARY MAYAKA

A contemporary portraitist and abstractionist whose work navigates the threshold between the seen and the felt — where identity dissolves into colour, and silence becomes form.

Born from
Silence

I grew up in western part of Kenya with a natural talent fine art and design — a childhood split between the ochre light of rural western life and modern restraint of urbanisation. The duality never left. It lives in every canvas: warmth held in tension with distance, intimacy pressed against every work.

After decades of independent self practice in different fields I developed a language that refused easy categorisation. The work is neither purely figurative nor fully abstract — it occupies the charged space between recognition and dissolution.

Portraiture, abstraction, realism and general design became the primary vehicle not out of convention but out of obsession. What a person hides is more revealing than what they show. i paints the hiding.

20yrs +

200+

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HILLARYMayaka in the studio, standing before a large-scale canvas in progress, palette knife in hand

“I am not painting what I see. I am painting what I cannot stop feeling.”

The Four
Pillars

Every decision in the studio — medium, subject, scale, colour — is a philosophical position. These are the convictions that shape the work.

Acrylics and Cold Wax

The fast-drying nature of acrylics demands decisiveness. Cold wax adds translucency — layers accumulate like memory, each one visible beneath the next. Nothing is truly covered; everything is archaeology.

The Concealed Face

Every portrait begins with a conversation about what the subject refuses to show. That refusal becomes the painting.

Warm Restraint

A palette of ochres, burnt siennas, and near-blacks. Colour is never decorative — it carries emotional temperature.

Monumental Intimacy

Large canvases force the viewer into a physical relationship with the work. You cannot stand back and remain detached. The scale is an ethical choice.

Milestones

2010

First Solo Exhibition

Galeria Nómada, Lisbon — 18 works, sold out in three days.

01

2013

Berlin Residency

Künstlerhaus Bethanien. A pivotal two-year period that introduced cold wax into the practice.

02

2015

Saatchi Gallery Feature

Selected for New Sensations, London. International recognition follows.

03

2017

Nairobi Studio

Relocated to Bushwick. Scale increases dramatically — canvases reach 3 × 4 metres.

04

2019

Museum Acquisition

Three works enter the permanent collection of the Museu Coleção Berardo, Lisbon.

05

2022

Monograph Published

"ARTE: Layers of Concealment" — 240 pages, published by Hatje Cantz.

06

2025

Ongoing Practice

Currently working on a new series exploring grief and inherited memory.

07

Interested in the work?

Collector inquiries, exhibition loans, and studio visits welcome.

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